By superimposing both planes, uses are generated under an order from public to private, the gallery being public, and the atelier and the room private, all separated by patios, thus responding to the typical Spanish architectural tradition of the colonial era.
The house is structurally resolved using tape slabs supported by 8 columns and a supporting structural partition that has a gap in the middle, which allows interaction between the artist's gallery in the semi-covered left corner and the atelier.
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